Abstract
Man not only lives within history; he is changed by it, and he causes it to change. This interplay between individual lives and wider historical forces is many-sided, erratic, seemingly contradictory, charged as it is by capricious human emotions. Yet there are common patterns—shared images and styles of imagery—which men call forth in their efforts to deal with the threat and promise of a changing outer and inner world. These patterns can sometimes be seen most clearly in cultures outside of one's own, and I have found them to be extremely vivid in present-day Japan.

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