Evidence for a general template in central optimal processing for pitch of complex tones

Abstract

Optimum prcessor theory sucessfully accounts for earlier pitch data by including the constraint that component tones in a complex stimulus are estimated as successive harmonics. This constraint gives the paradoxical prediction that a periodic complex tone comprising nonsuccessive harmonics cannot evoke periodicity pitch corresponding to its period. Most published data from pitch‐shift experiments imply the necessity for this constraint. New periodicity pitch experiments on pitch shift and musical interval recognition were performed which prove that the theoretical constraint is not generally true. New and old data are reconciled by replacing the maximum likelihood estimation of the theory with maximum posterior probability estimation and removing the successive harmonic constraint. Periodicity pitch is estimated by optimizing the match between the aurally measured frequencies of stimulus components and a general harmonic template over some a p r i o r i expected pitch range. The new, more general, formulation reduces in many experimental situations to the successive harmonic constraint as a special case.