Abstract
Despite its place in the French Revolutionary motto, fraternity lacks a literature. Blake, who makes an important contribution toward that literature, draws largely from the New Testament, which offers two grounds for brotherhood: we are sons of the Father, we are brothers in Christ. Suspicious of transcendent gods, Blake develops only the latter concept. We are in essence brotherly beings; unfraternal behavior is death. Brotherhood is not kindliness, however, but “wars of love” for one another and willing self-sacrifice. “Atonement” only makes matters worse. The New Testament Christian fraternity rests on Paul's dualism; Blake agrees to the extent that “nature” (and woman) threatens brotherly love. Yet women can be brothers, too, despite the misogynist symbolism Blake chooses to inherit.