Perception of front vowels: The role of harmonics in the first formant region

Abstract

Vowel matching and identification experiments were carried out to investigate the perceptual contribution of harmonics in the first formant region of synthetic front vowels. In the first experiment, listeners selected the best phonetic match from an F1 continuum, for reference stimuli in which a band of two to five adjacent harmonics of equal intensity replaced the F1 peak; F1 values of best matches were near the frequency of the highest frequency harmonic in the band. Attenuation of the highest harmonic in the band resulted in lower F1 matches. Attenuation of the lowest harmonic had no significant effects, except in the case of a 2-harmonic band, where higher F1 matches were selected. A second experiment investigated the shifts in matched F1 resulting from an intensity increment to either one of a pair of harmonics in the F1 region. These shifts were relatively invariant over different harmonic frequencies and proportional to the fundamental frequency. A third experiment used a vowel identification task to determine phoneme boundaries on an F1 continuum. These boundaries were not substantially altered when the stimuli comprised only the two most prominent harmonics in the F1 region, or these plus either the higher or lower frequency subset of the remaining F1 harmonics. The results are consistent with an estimation procedure for the F1 peak which assigns greatest weight to the two most prominent harmonics in the first formant region.